The video has gone viral for obvious reasons and as of now, it has been viewed by more than 18K people. 1d9bJDVMqaĬlick here to watch this video directly on Twitter The video was shared on the micro-blogging site Twitter by IPS officer Rupin Sharma with the caption, “Pre-wedding shoot… Aaj raaz khula himmat ka…”Īaj raaz khula himmat ka……. The woman in the video is with complete bridal makeup and dress and she lifts dumbbells and weights but what makes her workout more special is the fact that she is wearing heals too but hasn’t lost her balance even once. Presently, couples leave no stone unturned in ensuring that their pre-wedding shoots are unique and unforgettable.įitness is quite an important aspect of our lives and this would-be bride also seems to have given a lot of importance to her fitness because of which she has decided to shoot some part of her pre-wedding shoot in a gym while working out. It’s definitely smart filmmaking, something that doesn’t spoon feed the audience.It is wedding season in India and nowadays marriage is not just about ceremonies, it is also about photoshoots including the pre-wedding ones and creating unique things which make the occasion special and memorable. These semantics are not supposed to give you a jolt but to make you look beyond the obvious. These metaphors hold meanings and make Sherni a well-crafted film. Great songs, but not enough to pull it out of the spirit’s grip. Then there is another one where Sharat Saxena is making a joke about tiger in a drunk state. Raaz Reboot is a tough watch for close to 140 minutes. It seems like the deer’s horns are actually his crown. There’s a scene in the film when Bansal, who is very fond of holding his own ‘darbar’ inside his office, is standing in front of a stuffed swamp deer’s head.
They have shed their usual Bollywood image and gotten into the skin of the characters. Vidya Balan, Brijendra Kala, Vijay Raaz, Sharat Saxena and Neeraj Kabi, all primary characters are in top form. That way, it deals with moral corruption and how it impacts decision making in crucial conditions. Rather it’s more about treating wildlife as an inferior species. It’s not the obvious kind of corruption we witness in Bollywood films. On top of it, local politicians want to use tiger as a trophy of their guarantee to villagers’ protection.Īdd a dose of subtle humour to the proceedings and you have a smooth story at your hands. It’s indeed a complex tale-the government wants to save the tigers, the villagers want to use jungles for daily resources and the tigers need a fearless habitat. Like a fly on the wall experience, you see Vidya Vincent navigating through tough terrains only to reach nowhere.
In fact, this is how the narrative of Sherni compels us to take every character seriously. Their means and methods might be different but their intentions are certainly not black.
Aastha Tiku’s superb screenplay is full of sarcastic comments on the functioning of administration and local politicians but they all seem to be doing what they think is right for the local public at that point of time. Just like Newton, there are no villains here either. Then there are local politicians and other forest department officers who don’t want to lose their grip over the issue because it may prove beneficial during the elections. One of them is Vidya Vincent (Vidya Balan), a strict DFO, whose clueless boss Bansal (Brijendra Kala) wants to get the man eater killed with the help of a local hunter Pintu Bhaiyya (Sharat Saxena).